Showreel created with enormous thanks to all photographers and videographers who provided material.
A RADA graduate, Willa King is an Australian-British transformational character actor known for her powerful performance style and technical precision. Her career spans over two decades across theatre, cabaret, voiceover, and film, complemented by a dynamic practice as a director and creator of both classical and original productions.
Since returning to Sydney in 2024, Willa has established a vital presence in the Australian arts landscape. Her recent performance as Sandra in the sell-out production of Beautiful Thing (Qtopia) earned significant critical acclaim, showcasing a razor-sharp comedic timing balanced by a fully realized psychological complexity. Whether utilizing her commanding stage presence as the strategic Goal Attack in Emilie Collyer’s Contest (Space Jump Theatre Co) or inhabiting classical archetypes, her work is defined by its depth and technical command.
A meticulous and dedicated collaborator, Willa is described by directors as possessing a rare blend of deep emotive sensitivity and sharp analytical ability. Her background in the UK has provided her with a professional mastery of a wide range of accents and a sophisticated vocal range across all mediums. Her 2026 season includes Trifana in The Tempest and the First Witch in Macbeth (Come You Spirits), alongside high-profile projects including the role of Chloe in The Boys Are Kissing.
Upcoming & Recent Work
To Be Announced (2026)
By
Dir.
A Production
Contest (2026)
By Emilie Collyer
Dir. Kirsty Semaan
A Space Jump Theatre Production
The Tempest (2026)
By William Shakespeare
Dir. Come You Spirits
A Come You Spirits Production
Macbeth (2025)
By William Shakespeare
Dir. Come You Spirits
A Come You Spirits Production
The Rise & Fall of the Fairy Queen (2025)
By Helen Hopcroft
Dir. Willa King
Beautiful Thing (2025)
By Jonathan Harvey
Dir. Finn Stannard
A CODA Production
Chopin’s Heart (2025)
By Fiona Leonard
Dir. Fiona Leonard
A Blue Goat Production
I would like to acknowledge the original storytellers and traditional owners of the lands on which I live and tell stories, the Gadigal people of the Eora Nation. I pay my respects to Aboriginal and Torres Strait Islander cultures, recognising the connection to lands, waters, and communities; and their knowledge embedded forever within the Aboriginal Custodianship of Country.
I pay my respects to Elders past, present, and future. Always was, always will be.