• "The night’s standout by far was Willa King’s one-woman performance in The Rise and Fall of the Fairy Queen."

    Pia Curran - Honi Soit (Bite-Sized Bard)

  • “Among the cast, Willa King stood out as the First Witch, possessing such a commanding voice as could have made me, too, believe that I was fated to be Scottish king.”

    John Shand - Sydney Morning Herald (Macbeth)

  • “Willa King as Jamie’s mother, Sandra, injects the production with invaluable verve and humour, while capturing with striking precision the realities of a single mother.”

    Suzy Wrong - Suzy Goes See (Beautiful Thing)

  • “Willa King adds razor-sharp comedic timing and a fully realised complexity to Sandra.”

    Caitlin Green – The Scoop (Review: Beautiful Thing Breaks & Heals In The Same Breath)

  • “The award for ebullient performance is claimed by Willa King wearing triple hats as Trifana, the boatswain, Stefano and Trinculo, bringing a comical spirit that keeps the show fresh and grounded.”

    Eli Beverley-Schack – Sydney Arts Guide (Come You Spirits: The Tempest at Glen Street Theatre)

  • "Willa King as tough-love mum and worn-down barwoman steals the show."

    Kate Prendergast – Sydney Morning Herald (Theatre: Beautiful Thing)

  • "Willa King (Goal Attack) is particularly notable, her beautiful booming voice captivating the audience and adding richness to her performance."

    Chanele Mao – Theatre Thoughts (Contest Review: A Raw, Physical Exploration of Female Dynamics)

  • “Willa King has a rare ability to bring an audience entirely into her characters and to arouse real rather than superficial emotion from their performance. I felt genuinely invested in her progression from timidity to self-assurance.”

     Pia Curran – Hoi Soit (The Boys Are Kissing at Qtopia Loading Dock Theatre)

  • “A strong ensemble, including a particularly affecting Willa King, ensures the consequences underneath the comedy remain very real.”

    Waylon Murphy – Theatre Reflections (The Boys Are Kissing)

  • “Willa King and Shab Tavakol are excellent stage partners and deliver some of the play’s most terse, fiery exchanges with a sense of realism that was equally engrossing and upsetting.”

    Josh Kerwick – The Star Observer (‘The Boys Are Kissing’: Engrossing And Excellently  Performed)